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KARO GLAZER is a singer, composer, multi-instrumentalist, producer, and creative director who treats the human voice like a limitless instrument. With a four-octave range and roots in jazz improvisation, she bends technique to serve emotion—shaping phrases like lines of a trumpet, stacking choirs like strings, scatting with orchestral precision. She has authored over 400 compositions, performed from LA to Cairo and is celebrated for genre-defying work that connects vintage soul and analog warmth with modern, immersive production.

Recognized by Tom Waits and members of Coldplay at the International Songwriting Competition, Glazer has collaborated with Lars Danielsson, Mike Stern, Richard Bona, John Taylor, Joo Kraus, and Grammy-winning producers Martin Walters,  and Flemming Rasmussen. The press has called her “a true singing asset and the best Poland has to offer”; Mike Stern summed it up simply: “She is not a girl — she is dynamite.”

On May 24, 2025, Glazer made history as the first Polish artist to perform a solo concert at Abbey Road Studio 2—the legendary room of The Beatles. The intimate 20-seat performance, played on the studio’s iconic instruments, was recorded and filmed to share with a wider audience. It crowned the rollout of #LadyDynamite (Record Store Day US, April 12, 2025 - limited red LP), a bold, fully independent album written, composed, arranged, and produced by Glazer. The record fuses alternative power, soul sensibility, jazz mastery, and psychedelia—euphoric brass, layered keys, deep bass lines, multiple drum performances, and vast vocal architectures—conceived with Dolby Atmos in mind. The singles “BLACK SUN” (a 7" art-object vinyl featuring a real solar filter) "MAYBE" and “SIT” announced her return to roots with modern edge; Black Sun entered US SubModern Charts and expanded her international airplay.

Her path was forged through triumphs and trials. After acclaimed early albums (Normal, Crossings Project) and extensive touring, a contractual conflict pushed her to reinvent on her own terms. She moved to the US and the UK, served as a lead vocal coach on major West End productions, honed pop songwriting at European camps, and built a live collective. Alongside her own work, Glazer composed music for many others including large-scale productions such as Illumination—an immersive ballet directed by Bolshoi dancer Alexey Torgunakov—and wrote the score for the theatre play Wisława, inspired by the life and poetry of Nobel Prize–winning poet Wisława Szymborska. Both projects expanded her exploration of sound as movement and emotion, merging classical form with modern storytelling.

Glazer also studied architecture—an inheritance from her father—and carries that discipline into sound. She speaks of emotional architecture: arcs of tension and release, form serving feeling. She is deeply involved in the visual dimension of her work, treating music videos, scenography, and performance as one continuum of storytelling. Her visual language reaches millions online — her original GIFs and stickers on Giphy have surpassed 340 million views, turning fragments of her artistic world into a viral, global phenomenon.

 
Today, as co-founder of RED PRODUCERS, she advances a new standard of independent production—bridging artists, producers, technologists, and brands—and through the foundation Music Is Her Name (2025) she builds a supportive, international sisterhood in music, mentoring women as producers, composers, and leaders.

As she often says, “Music didn’t ask for my permission — it took over my life.”
For Glazer, music isn’t a career — it’s a calling, a rebellion, and a lifelong act of creation.